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COMMON PART


Project Number22-18-00407

Project titleCognitive Cultural Studies of Color: Developing a Scientific Framework for the Coloristics of the Cultural Landscape

Project LeadGriber Yulia

AffiliationSmolensk State University,

Implementation period 2022 - 2024 

Research area 08 - HUMANITIES AND SOCIAL SCIENCES, 08-701 - Theory, methodology, and history of cultural studies

KeywordsColor, coloristics, cognitive research, cognitive cultural studies, cultural landscape


 

PROJECT CONTENT


Annotation
The project is aimed at solving a scientific problem, which is important for the theory, methodology and history of cultural studies: obtaining new knowledge about color cognition, its age-related and socio-cultural specificity, using new methods of psychophysiological, multisensory psycholinguistic and experimental research, based on the high-tech devices for collecting and processing significant amounts of data on the influence of color stimulation on cognitive processes. The main goal of the project is to develop an innovative interdisciplinary paradigm in color cognition research by integration cognitive cultural studies, color theory, psychophysiology, physiology of vision, and artificial intelligence theory. By using this approach, the objective is to realize a complex of fundamental and applied research studies of cognitive potential of color aimed at develop a scientifically-grounded design of a comfortable coloristics of the cultural landscape. The project aims to address three main tasks. Firstly, development of interdisciplinary experimental paradigms for studying psychophysiological processes underlying cognitive and affective processing of colour, as well as effect of various parameters of color environment stimulation on the processes of attention and working memory, language acquisition, and decision-making in individuals of targeted age and social groups. Secondly, using a complex of new research methods of registration of electrical activity of the brain, oculomotor activity, kinematics and skin-galvanic reactions of the body, virtual reality, carrying out experimental studies of mechanisms underlying formation of color associations and preferences in individuals and specified groups to generate a considerable scientifically grounded database on semantics and structure of color information and its role in actual socio-cultural processes and practices. Thirdly, the culturological expertise of the empirical data obtained, aimed at revealing the fundamental mechanisms of color cognition in specified age and social groups in particular, processing and multimodal integration related to emotions engendered by color, as well as the effect of color on motor activity, general and special cognitive abilities, working and long-term memory, language and thinking; development on this basis a fundamental theory of color cognition research. The relevance of the study lies in its aim to analyze heterogeneity of color cognition in a modern population and, in general, creation of a reliable theoretical and empirical framework conducive of paving the way to the development of a comfortable manmade environment with the color design that would improve and enhance quality of life of different population groups. Scientific novelty of the project is determined not only by scale and complexity of the set tasks, their urgency and compliance with the requirements of "demand" from different social institutions at the present stage of scientific knowledge development, but also by development and application in this research, along with the generally accepted, new cross-disciplinary experimental paradigm, which will make it possible to contribute to "cultural biology" (Quartz, Sejnowski, 2002) – by estimating both general mechanisms and culture- determined characteristics of processing color information in the human brain. The present study will for the first time attempt a comprehensive cultural examination of the mechanisms of perception and processing of color information, based on the data obtained with the use of new high-tech experimental methods of cognitive science. Concurrent use of virtual reality technologies, systems of motion capture and eye tracking will allow comparing psychophysiological correlates of conscious and unconscious information processing under different variations of colour environment. This will contribute to better understanding of brain mechanisms underlying emergence of conscious experience, control of cognitive activity, as well as to the study of the "cognitive unconscious" (see, e.g., Kihlstrom, 1987; Allakhverdov et al., 2008), such as subliminal perception, implicit memory, implicit learning, etc. Within this theoretical framework, methodological originality of the basic research aspect of the project is its comprehensive experimental (psychological, psychophysiological) and informational approach to solve the problem of colour environment parameters (cause) – individual’s comfortable experience (effect). Establishing such causal relation, in its turn, will enable research translation to the following target areas of social environment: (1) development of scientifically guidelines of the colour environment design in modern educational space (e.g. preschool educational institutions, schools, university lecture theatres), as well as elaboration of research-informed materials on teaching methodology, training and specialised computer programs, including virtual reality training; (2) Improvement of a complex gerontological infrastructure (health, professional, leisure) based on the required age-related "adjustment" of the design of colour environment intended for elderly people.

Expected results
First, by the end of the project a cross-disciplinary experimental paradigm will have been developed to study with new research methods the unconscious psychophysiological processes underlying cognitive and affective color processing, as well as the influence of different conditions of color stimulation / color environment on attention and working memory, categorization and verbal communication, decision-making mechanisms of different social and age groups. Second, experimental work on the mechanisms of formation of individual and collective color associations and preferences will be completed in order to obtain significant amounts of data on the semantics and structure of color units and their role in current socio-cultural processes and practices. Third, a culturological examination of the empirical data obtained will be carried out, aimed at identifying the fundamental mechanisms of color cognition, its age and socio-cultural specificity. This includes research of culturally conditioned mechanisms of perception, processing and multimodal integration of color connected with emotional tone of color, influence of color on motor activity, general and special cognitive abilities, working and long-term memory, language and thinking. On this basis a fundamental theory of cognitive color research will be created, the foundations of which will be formed by cognitive science, color perception theory, visual physiology, and artificial intelligence theory. Fourth, on this base comprehensive experimental (psychological, psychophysiological) and informational approach will be developе to solve the problem of color environment parameters (cause) – individual’s comfortable experience (effect). Establishing such causal relation, in its turn, will enable research translation to the following target areas of social environment: (1) development of scientifically guidelines of the colour environment design in modern educational space (e.g. preschool educational institutions, schools, university lecture theatres), as well as elaboration of research-informed materials on teaching methodology, training and specialised computer programs, including virtual reality training; (2) Improvement of a complex gerontological infrastructure (health, professional, leisure) based on the required age-related "adjustment" of the design of color environment intended for elderly people. Fifth, the results and analysis of the study will be published in at least 25 scientific articles in peer-reviewed journals, including at least 10 in journals indexed in the Web of Science Core Collection or Scopus databases, and presented at no less than 10 international scientific conferences and in the final monograph of the project "Cognitive Cultural Studies of Color: development of scientific foundations for the coloristics of cultural landscape". The proposed interdisciplinary approach to the study of the cognitive potential of colour is key to solve the delineated research problems and their translation into social practice. In particular, the project will improve the effectiveness of recommendations for shaping the coloristics of the cultural landscape, corresponding to the expectations and demands of various social groups in contemporary society. The results can be used in clinical practice to develop new computational models of various mental disorders and abnormalities in individual mental development, such as early childhood autism, Alzheimer's disease, etc. The anticipated results will also be translated to the education system, whereby an important part of the project will include the development and designing of a colour environment for educational and training programs in virtual reality. These are high-tech products that have some "ideal" characteristics, i.e. they are not subject to wear and tear and contribute to the creation of a common information space.


 

REPORTS


Annotation of the results obtained in 2022
During the reporting period, the project team carried out the following work. (1) General strategy and research plan were developed. (2) A theoretical foundation of the methodology for studying the sociocultural specific features of color cognition was proposed and a cross-disciplinary paradigm of experimental research using hardware methods of unconscious psycho-physiological processes underlying the cognitive and affective processing of color was developed. (3) An experimental stimulus palette was developed and approved. The values of each color sample were defined in the CIELAB color space as three coordinates L*, a*, b*, where the first number, or the L* value, represents lightness of the color, whereas the a* and b* values determine its chromatic qualities (color shift toward green or red and toward blue or yellow). Computer color stimuli with specified characteristics were created. (4) To obtain new data on the cross-cultural specific features of strategies for building harmonious color combinations and determining the "geometric" parameters of the identified differences in the CIELAB color space, an online-experiment interface was developed, the stimuli of which were created on the basis of color chart by Mikhail Matyushin containing colors familiar to the practice of architecture design. (5) Two stages of independent socio-psychological experiments aimed at identifying the sociocultural specific features of color cognition among representatives of various social groups using modern hardware methods were implemented. The first stage of the empirical study included an assessment of the impact of color information on other sensory modalities of human perception, as well as the study of the influence of various conditions of color stimulation / immersion in a color environment on the processes of attention and working memory in representatives of various social and age groups (N=400). At the second stage of the empirical study, the effect of color stimulation on oculomotor activity and galvanic skin reactions was studied (N=50). (6) In the course of an online experiment, professional differences in strategies for choosing harmonious color combinations and cross-cultural specific features of representatives from seven countries (N=508) were studied, including Russia, Belarus, Algeria, Nigeria, Saudi Arabia, Chile and Mexico. The following scientific results were obtained. First, a system of indices was tested to assess the similarity and difference of data sets in several chromatic parameters at once (hue, saturation, brightness, lightness, contrast); the index system makes allows us to measure not only associations associated with pure colors, but also with color shades, set their intensity, and reveal correlations with groups of shades and achromatic colors. The methodology for analyzing color combinations in the CIELAB color space was tested using geometric indicators: side lengths, angles, areas and projection perimeters. Second, the impact of color information on other sensory modalities of human perception was determined. In particular, it was established that sound stimuli had a noticeable effect on the processes of cognitive processing of information associated with color. Extraneous noise was able to rebuild the system of associations of individual shades with anthropologically significant concepts. Differences appeared (1) in the structure and density of the set of color associations; (2) in the frequency of selected shades from different groups; (3) in the color images of individual concepts. Stratification of the sample in terms of sex and age allowed us to obtain fundamentally new data on the social differentiation of multimodal responses. In particular, gender differences in the influence of chromatic characteristics on tactile sensations and motivation to touch were experimentally established. Statistically significant differences in the effect of color on taste perception in people with autism spectrum disorders compared to the neurotypical were revealed. Associations between taste and color in people with autism differ in composition, prevalence of individual associations, quantity, cognitive significance, and choice semantics. The main difference is that colors in most cases evoke in them not conventional logical associations with taste, which dominate in neurotypical people, but creative ones – expressive and hidden. The collected data allowed us to assess the volume of direct auditory-speech memory, the efficiency and trajectories of memorization, the success of memorization under the influence of various color stimuli. Under the influence of black and red, yellow and blue colors, fluctuations in memorization productivity were more often observed. In the experiment with numerical stimuli, a higher level of short-term memorization was noted under the influence of black, blue and green hues. In the course of the experiment using unconstrained color naming, it was found that in people who had been exposed to the coronavirus infection COVID-19, color perception changes appeared, causing changes in the pattern of naming colors. Noticeably, the frequency of color terms such as brown, green and gray increased, as well as more frequent use of achromatic modifiers such as dirty, pale, dull and pastel. These differences indicate a general "darkening" and a decrease in the saturation of perceived colors. The change in the color naming model is indirect evidence of the coronavirus impact on color vision. Namely, the relatively high frequency of color terms brown and gray may reflect accelerated aging of the lens, and the phenomenon of “darkening” and decrease in saturation may indicate a violation of the spatial brightness contrast processing. Third, in order to obtain significant amounts of data on the semantics and structure of color units and their role in current sociocultural processes and practices, the effect of color stimulation on oculomotor activity and skin-galvanic reactions using eye-tracking methods was experimentally studied. It was established that color helped to recognize cultural landscapes faster and to remember them better. Recognition of images from different categories significantly correlated with the duration of the presentation. At the same time, the degree of color influence on attention and memorization depended on the type of cultural landscape: color was less important in purposefully created landscapes, which were built according to a plan and were characterized by a certain planning composition, and it was extremely important in naturally created ones influenced by the natural landscape and natural conditions. Forth, the cross-cultural specific features of strategies for choosing harmonious color combinations by representatives of different cultures (N=508) in the CIELAB color space were established. The differences affect the ratios of angles, side lengths, perimeters and areas of triangles formed by given and selected shades. A cultural expert examination of the obtained data was carried out, aimed at identifying the fundamental mechanisms of color cognition, its age and sociocultural specificity, including culturally determined mechanisms of perception, processing and multimodal integration of color. Fifth, the results of the study were published in 8 articles in peer-reviewed scientific journals (Arts, Russian Psychological Journal, Perspectives of Science and Education, Psychologist, Psychology and Psychotechnics, Scientific Result. Social and Humanitarian Research, Social transformations), including 3 articles published in journals indexed in Web of Science and Scopus citation systems. The results of the project were presented at four scientific conferences: at the Scientific Conference of the International Color Association (AIC 2022) in Toronto (Canada, June 13–16, 2022), at the International Scientific Conference "Transmission of Cultural Experience and Social Practices in the Age of Transitivity" (Izhevsk, Russia, November 15-18, 2022), at the Third Russian Congress on Color (Smolensk, December 5–7, 2022), and at the International Colloquium "Social Transformations" (Smolensk, Russia, December 12, 2022).

 

Publications

1. Delov A.A.,Tsygankova K.Yu. Возможности применения в изучении цветовой когниции методов интеллектуального анализа данных, полученных с помощью шлема виртуальной реальности с функцией айтрекинга Социальные трансформации, № 33 (year - 2022)

2. Griber Y.A. The “Geometry” of Matyushin’s Color Triads: Mapping Color Combinations from the Reference Book of Color in CIELAB Arts, Volume 11, Issue 6, Paper No. 125 (year - 2022) https://doi.org/10.3390/arts11060125

3. Griber Y.A., Elkind G.V. Влияние цвета на восприятие вкуса у людей с расстройствами аутистического спектра Психология и психотехника, № 4. С. 32–43 (year - 2022) https://doi.org/10.7256/2454-0722.2022.4.39295

4. Griber Y.A., Nankevich A.A. Влияние шума на цветовые ассоциации горожан Психолог, № 6. C& 29–39 (year - 2022) https://doi.org/10.25136/2409-8701.2022.6.39243

5. Griber Y.A., Paramei G.V. Постковидное цветовосприятие: влияние COVID-19 на выбор цветонаименования Российский психологический журнал, Т. 19, № 3. С. 21–40 (year - 2022) https://doi.org/10.21702/rpj.2022.3.2

6. Griber Y.A., Paramei G.V. Colour naming of post-COVID participants hints to "darkening" of perceived colour Proceedings of the International Colour Association (AIC) Conference 2022, - (year - 2022)

7. Griber Yu. A., Samoylova T. A. Влияние профессионального художественного образования на выбор стратегии построения гармоничных цветовых сочетаний Перспективы науки и образования, № 5 (59). С. 89–105 (year - 2022) https://doi.org/10.32744/pse.2022.5.6

8. Nankevich A.A. Цветовые системы как способ репрезентации категорий цвета Научный результат. Социальные и гуманитарные исследования, Т. 8, No 2. С. 77-93 (year - 2022) https://doi.org/10.18413/2408-932X-2022-8-2-0-6

9. Delov A.A., Griber Y.A. Оценка воздействия различных условий цветовой стимуляции на процессы внимания и рабочей памяти методами виртуальной реальности Третий всероссийский конгресс по цвету / под ред. Ю.А. Грибер. Смоленск: Изд-во СмолГУ., C. 26–27 (year - 2022)

10. Elkind G.V., Griber Y.A. Ожидание вкуса от цвета у людей с аутизмом Третий всероссийский конгресс по цвету / под ред. Ю.А. Грибер. Смоленск: Изд-во СмолГУ., С. 85–86 (year - 2022)

11. Griber Y.A., Al-Rasheed A.S., Gouaich Y., Mefoh Ph., Odetti J.V., Samoylova T.A., Sivova T.V., Jahr E.C. Кросс-культурное исследование «геометрии» гармоничных цветовых сочетаний в цветовом пространстве CIELAB Третий всероссийский конгресс по цвету / под ред. Ю.А. Грибер. Смоленск: Изд-во СмолГУ., C. 22–24 (year - 2022)

12. Lavrenova O.A., Griber Y.A., Kulemin A.E. Влияние цвета на визуальную память и визуальное внимание в различных типах культурного ландшафта Третий всероссийский конгресс по цвету / под ред. Ю.А. Грибер. Смоленск: Изд-во СмолГУ., C. 41–42 (year - 2022)

13. Nankevich A.A., Griber Y.A. Городской шум и его влияние на когнитивную переработку цветовой информации Третий всероссийский конгресс по цвету / под ред. Ю.А. Грибер. Смоленск: Изд-во СмолГУ., C. 52–53 (year - 2022)

14. Tsygankova K.Y., Griber Y.A. Влияние цвета на желание дотронуться: результаты экспериментального исследования Третий всероссийский конгресс по цвету / под ред. Ю.А. Грибер. Смоленск: Изд-во СмолГУ., C. 78–79 (year - 2022)

15. - В Смоленске по гранту разработают основы оформления геронтологической инфраструктуры ТАСС, Дата публикации: 10 апреля 2022 года (year - )


Annotation of the results obtained in 2023
During the reporting period, the following work was carried out. (1) Based on the oddball paradigm, a methodology for psychophysiological research aimed at identifying the brain correlates of color categorization was developed. (2) An experimental design included the simultaneous use of virtual reality technologies, methods of recording oculomotor activity, EEG and galvanic skin reactions of the body to identify correlates of conscious and unconscious information processing in various conditions of a color environment and to conduct a comparative analysis of the indicators of participants with different sociocultural features. (3) The third and fourth stages of the empirical research aimed at identifying the sociocultural specifics of color cognition among representatives of various social groups using modern hardware methods were implemented. The third stage of the empirical study included assessing the effects of color stimulation on brain activity (N=50). At the fourth stage of the empirical study, virtual reality technologies, methods of recording oculomotor activity, EEG and galvanic skin reactions were simultaneously used to identify the correlates of conscious and unconscious information processing in various conditions of the color environment (N=67). (4) The analysis of the data obtained from an online experiment aimed at studying cross-cultural differences in strategies for choosing harmonious color combinations was expanded (N=599). (5) Using the Geneva emotion wheel, age differences in associations between color and emotions were assessed, and their cross-cultural specificity was analyzed (N=161). (6) The color knowledge quantity and quality of Russian design students (N=187) were evaluated using the method proposed by J. Jensens and B. Mikellides; the obtained parameters were compared with the corresponding indicators of foreign students (N=448). The following scientific results were obtained. First, the analysis of significant data sets on the electrical activity of brain areas associated with the processing of color information and categorical response to color stimuli showed that the color categorical perception occurred in the early stages of chromatic processing and was not associated with top-down modulation of post-perceptual processes (in particular, attention). Second, the study confirmed the hypothesis that changes in the conditions of color stimulation correlated with physiological responses to color (heart rate, electrical conductivity of the skin, pupil diameter, blink frequency, dynamics of gaze directions), and its consequences differed from the effects of color-object associations (font, background, scenes of images). The discovered effects are associated not only with hue, but also with other color characteristics, primarily with lightness and saturation. According to the results of cluster analysis, physiological reactions are most similar for light warm colors (peach, white, pink, blue, light green, light green, beige); dark colors (black, dark green, dark purple); saturated stimuli from the warm part of the color spectrum (blue, yellow, green, orange, violet, fuchsia, turquoise, crimson); light purple colors (mauve and lilac); red and gray-green colors (gray, red, brown, burgundy, marsh, mustard, dark blue). Third, the analysis in the CIELAB color space of the responses from online experiment participants (N=599), who came from eight different countries (Algeria, Belarus, Italy, Mexico, Nigeria, Russia, Saudi Arabia, Chile), showed that cross-cultural differences in strategies for constructing harmonious color combinations could have environmental motivation. Under the influence of existing natural color schemes, representatives of different cultures develop different sensitivity to individual colors. Their color habits largely predetermine the positive or negative perception of certain shades, forcing them to react negatively to colors that differ from their usual ones, and to use the colors of well-known materials and natural objects in the design of the environment. Forth, the experiments with the simultaneous use of virtual reality technologies, devices for recording galvanic skin reactions, electrical activity of the brain and oculomotor activity, made it possible to compare the psychophysiological correlates of conscious and unconscious information processing in various color environment conditions, confirmed that cognitive processes were influenced not only by color–object associations, but also by color involved in non-image-forming aspects of vision. Fifth, the comparison of the color vision testing results in participants of an empirical study who recovered from Covid-19 coronavirus infection (N=77) and people who were not ill with different socio-demographic features using the standard Farnsworth-Munsell 100-Hue Test (FM-100) showed that about half of those who recovered from COVID-19 had mild acquired III type color deficiency, typical for retinal and vascular diseases. The findings suggested that coronavirus infection might cause hypoperfusion (decreased vascular supply) in the retina and/or postretinal parts of the visual system and, thus, affect the neural mechanisms of color discrimination. Sixth, the assessment of age differences in color–emotion associations among Russians of different ages (N=161) and the analysis of their cross-cultural specificity showed that different age groups demonstrated similar patterns of color–emotion associations (average similarity coefficient 0.97). At the same time, subtle but significant age differences were observed: young representatives of different cultures associated the greatest number but the least positively biased emotions with colors; older participants associated a smaller number but more intense and more positive emotions with all colors. Seventh, the color literacy study of Russian students using the method proposed by J. Jensens and B. Mikellides (N=187) showed that they had a fairly high index of color knowledge. The value of the index of general color knowledge was almost the same for first- and last-year students. The lower index of knowledge about color vision of older people among students starting their education compared to graduates correlated with differences in the choice of color knowledge sources. Senior students experienced an increase in interest in evidence-based design and a change in the target setting to use classical color theory in combination with proven empirical data in the development of design solutions, which reflected the anthropological turn of modern design and urbanism in general. Eighth, he results of the study were published in 15 articles in peer-reviewed scientific journals (Arts, Russian Psychological Journal, Project Baikal, Scientific Dialogue, Perspectives for Science and Education, Society. Environment. Development, Pedagogy and Education, Herald of Culturology). The results of the project were presented in 14 reports at 9 international scientific conferences, including the 44th European Conference on Visual Perception (Paphos, Cyprus, August 27–31, 2023), the Scientific Conference of the International Color Association (AIC 2023) in Chiang Rai (Thailand, November 28 – December 2, 2023).

 

Publications

1. Delov A. A., Tsygankova K. Yu. Экспериментальное исследование неосознаваемых психофизиологических реакций на различные условия цветовой стимуляции Студенческая наука – 2023: сборник статей / под. ред. Н. Н. Розановой, Т. В. Ватлиной; Смол. гос. ун.-т; Студ. науч. общ-во. Смоленск: Изд-во СмолГУ, 2023. 640 с., - (year - 2023)

2. Griber Y. A., Tsygankova K. Yu., Ustimenko Y. A. Цвет как триггер: влияние хроматических характеристик сенсорных кнопок на мотивацию прикосновения Психолог, № 6. С. 73–87. (year - 2023) https://doi.org/10.25136/2409-8701.2022.6.39497

3. Griber Y. A., Ustimenko Y. A. Цвет, основанный на фактах: эксплоративное исследование количества и качества знаний о цвете будущих российских дизайнеров Педагогика и просвещение, № 4. С. 122–135. (year - 2023) https://doi.org/10.7256/2454-0676.2023.4.69016

4. Griber Y.A. Влияние цвета на успешность запоминания культурных ландшафтов Российский психологический журнал, № 20(3). С. 157–172. (year - 2023) https://doi.org/10.21702/rpj.2023.3.8

5. Griber Y.A. Экологическая мотивация цвета в городской колористике Проект Байкал, № 4(78). С. 38–43. (year - 2023)

6. Griber Y.A. Электрофизиологические корреляты цветовой категоризации: обзор нейролингвистических исследований, разработанных с использованием парадигмы необычного стимула (оддболл-парадигмы) Научный диалог, Т. 12. № 5. С. 9–38. (year - 2023) https://doi.org/10.24224/2227-1295-2023-12-5-9-38

7. Griber Y.A., Delov A.A. Влияние цвета на показатели кратковременной памяти Перспективы науки и образования, № 5 (65). С. 500-518 (year - 2023) https://doi.org/10.32744/pse.2023.5.29

8. Griber Y.A., Paramei G.V. Impact of colour on recognition of cultural landscape images Proceedings of the 15th Congress of the International Colour Association 2023, Chiangrai: International Colour Association, 2023. P. 852–858. (year - 2023)

9. Griber Y.A., Samoilova T.A., Al-Rasheed A.S., Bogushevskaya V., Cordero Jahr E., Gouaich Y., Manteith J., Mefoh Ph., Odetti J.V., Politi G., Sivova T.V. “Geometry” of color harmony in the CIELAB color space: Evidence from an online experiment across countries Proceedings of the 15th Congress of the International Colour Association 2023, Chiangrai: International Colour Association, 2023. P. 431–436. (year - 2023)

10. Jonauskaite D., Epicoco D., Al-Rasheed A.S., Aruta J.J.B.R., Bogushevskaya V., Brederoo S.G., Corona V., Fomins S., Gizdic A., Griber Y. A., Havelka J., Hirnstein M., John G., Jopp D.S., Karlsson B., Konstantinou N. и др. A comparative analysis of colour-emotion associations in 16-88-year-old adults from 31 countries British Journal of Psychology, P. 1–31. (year - 2023) https://doi.org/10.1111/bjop.12687

11. Lavrenova O.A. Символика цвета в культурном ландшафте Вестник культурологии, № 3(106). С. 45–60. (year - 2023) https://doi.org/10.31249/hoc/2023.03.03

12. Nankevich A.A., Elkind G.V. Специфика цветовой когниции у взрослых людей с аутизмом: основные направления исследований Национальное здоровье, № 4. (year - 2023)

13. Samoylova T.A., Griber Y.A. Автоматизированный метод оценки результатов теста нарушений цветового зрения Системы компьютерной математики и их приложения, Вып. 24. С. 180–187. (year - 2023)

14. Tsygankova K. Yu., Griber Y. A. Визуализация ассоциативных правил в анализе цветовой коммуникации Общество. Среда. Развитие, № 3. С. 53–63. (year - 2023) https://doi.org/0.53115/19975996_2023_03_053–063

15. Lavrenova O.A. Color Semantics of the Cultural Landscape Arts, № 12. P. 111. (year - 2023) https://doi.org/10.3390/arts12030111

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